J. Richard Secor

This is my Blog on which I will be posting photos of my paintings as well as updates on my exhibition activities. I paint in acrylic primarily using a palette knife. I have an obsession for Aspen trees and often paint Plein Air in the Sangre de Christo mountains here in Santa Fe. I hope you enjoy this blog and more importantly enjoy my paintings. Selected works can also be viewed and purchased through Etsy.com. At the end of each page, click on "Older Posts" to view more paintings.

About Me

I am continuously self-taught – meaning that my style is always evolving through curiosity, intense observation, sudden inspiration and experimentation.

My style is primarily impressionistic with a sense of what I call rusticity and looseness.

Plein air painting typically provides me with a more playful and semi abstract-impressionistic style than does a studio piece.

I have studied with a number of fine artists and I do study the techniques of painters whose work I admire. However I take these techniques and convert them into my artistic presentation within my own style.

I am a member of the National Oil and Acrylic Painters Society (NOAPS); American Impressionist Society; New Mexico Plein Air Artist’s Society; The Art Center at Fuller Lodge, Los Alamos, NM; and a Juried Member of Contemporary Water Media Forum and a Juried Artist for the 2010 Nomadas del Arte Exhibit traveling 6 Southwest States for a period of 12 months.

Quotes and Excerpts from Artists Whose Work and Artistic Approach I Admire

Guido Frick: "If you forget your emotions, then you end up with a copy of nature. But combine your visual impression with your emotional input, and you might have a chance to create a piece of art." Judie Wagner: "Use paint like you are a millionaire!" Laura Robb: "I never draw outlines of objects before starting to paint. I perceive and render subjects purely in terms of color and shape. I keep things accurate, yet unrecognizable, for as long as I can. Once you have enough information on your canvas that you can name the object, the wrong part of your brain starts trying to take over and run the show!" Laura Robb: "When setting up a still life, I try to get the objects to talk to each other and then I try to paint that converation." Laura Robb: "My work is always moving in the direction of leaving more of the detail out, as a way of making the real story of the painting more important." Kevin Mac Pherson: "Plein air painting is a method - it is not a sign of quality. A painting has to go beyond a picture, beyond the mere documentation of facts. It must have emotional ingredients." Malcolm Liepke: "I love dramatic gesture."

Saturday, January 29, 2011

LIVING ON THE EDGE

16x20 Chroma Interactive Acrylics - alla prima - big brush - wet into wet - with a lot of blending of color directly on the surface - heavy linen canvas paper.

FINI

5 comments:

Melissa Ann Goodwin said...: wow! this one really IS on the edge. the apple is fabulous. I love this one - it really looks precarious!; January 29, 2011 at 12:39 PM
Melissa Ann Goodwin said...: This comment has been removed by a blog administrator.; January 29, 2011 at 12:39 PM
Kathie Papasso said...: LOVE IT Dick, your fruit paintings are awesome, this apple looks good enough to eat!!
keep up the great work my friend!!; January 29, 2011 at 12:53 PM
J. Richard Secor said...: Thanks Melissa and Kathie - I appreciate the feed back.; January 29, 2011 at 1:54 PM
KAREN'S CANVAS said...: love "living on the edge"! Karen; March 27, 2011 at 7:41 AM